The Steam Cranes/Why Novelists Read Poetry

 












the steam cranes

a sijo

a team of steam cranes, hydraulically
lifting brownish-gray metaphors
quarreling over work methods
and over who has a bigger engine shaft

but what good are industrial efforts
in the days of nuclear rains?

(c) Nissa Annakindt 2012

Shared on Poetry Pantry #168

This is a sijo--- a Korean poetry form. The topic was chosen by opening one of my encyclopedias at random. This poem is NOT included in my poetry book, Where the Opium Cactus Grows, which is available on Amazon.com.

Why Novelists Read Poetry

Some time I read about the working habits of well-known writers. One writer, whose name I do not remember, started each writing session by reading poetry. It helped him use sharper and more meaningful language in his novels.

Poetry is not much appreciated these days, and 'therapeutic' poetry which consists in someone's prose whines arranged as if it were free verse is considered of equal worth with the greatest poems ever written.

I don't claim to be expert in knowing the literary value of a poem, like the experts who think Nikki Giovanni's poem about 'n-gg-r can you kill a honkey' is the work of one of the greatest poets of our age. But I do feel I have a grasp on what poems are 'strong' and thus useful for the novelist reading to improve his prose. It's the language--- vivid images, strong and meaningful words, combinations of ideas which are unexpected, and strong attention to the sound of the words--- and, yes, that can include rhyme and alliteration even in modern times.

A novelist's reading list of poetry will include the great poets of the past like Robert Burns and Friedrich Schiller, and it will include something modern. In the case of modern poets it is perfectly acceptable to reject vast numbers of poets and schools of poets that don't speak to the reader. The verdict of literary history has not yet been passed on these works.

I would also include poems in translation. In college I read poems translated from Russian and Chinese and quite enjoyed them--- even though my experience in reading German poems in the original and then in translation made me aware that poems, like everything else, cannot really be translating without losing something.

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Catsong: for Niki

This is one of the poems that will be in my new, expanded edition of Where the Opium Cactus Grows. Written in honor of my nine-year-old cat Niki, it is a sijo, a form of Korean poetry somewhat similar to the haiku. It was composed using an ancient Korean sijo as a model/inspiration. 

Catsong: for Niki
a sijo

what if my heart is too long or too tall?
what if my cat is too light or too small?

this calico tabby is mine
no matter that her nails are too sharp

the chill moonlight is mine also
to collect in alabaster jars


 This is one poem of mine with which I am satisfied--- not that I think it perfect or even good, but I feel that it is as good as I can make it, and any time I might spend fiddling around with it would be better spent writing new poems.  Other poems I've written I make endless revisions, sometimes achieving a better poem, sometimes only a new arrangement of the deck chairs on my poetic Titanic. Strangely, in my earliest poems this sense of satisfaction came more easily--- and I continue to be satisfied, for the most part, with these poems still. Today this sense of satisfaction is harder to find.

Note: I am planning to list this poem on Poetry Pantry over at Poets United this Sunday. If you have a blogged poem to share, or just want to read some poems, please visit their site.

The poem will also appear in the revised version of my book, Opium Cactus, on which I am still diligently working.

Last week with my Poetry Pantry poem undercover lesbian I got some valuable feedback which, strangely, I may actually use. Thanks to all my visitors from last week. 

Update: I have indeed shared the poem on Poetry Pantry #143 and am having fun looking at the other poems, seeking treasure. I've already found some, my favorite so far being And Bells Will Ring.

New Poem: crucifix hero

he gets condemned a lot
and
sometimes
i flee


but then
he forgives




he gets scourged a lot
and
sometimes
he bleeds


but then
he loves




he gets nailed a lot
and
sometimes
he dies


but then
he rises

(c) Mar 1, 2012 Nissa Annakindt

I wrote the first draft of this in connection with some poetry prompts I was giving in another blog post.  I liked it well enough to expand it and declare it a real poem rather than just an example.


This poem was linked at Poets United 89th Poetry Pantry.

New Poem: cat poem for Chachamaru

the ginger cat Chachamaru
kneads my sore leg with needle-like claws


tucked away in my lap, she feels the kittens
playing insider her - it must be spring


but outside the door the piles of snow
and roof-icicles tell a winter story.

(c) Feb 5, 2012 Nissa Annakindt

A sijo. Chachamaru is the cat on the cover of Where the Opium Cactus Grows. Besides posing for poetry book covers she enjoys chasing mice and fighting with other cats. The picture shows Chachamaru, her son Joel (the orange one) and her two stolen kittens.