Dropping Out, Or, Some Days I'd Rather Be A Cowboy

This morning I realized it was time for me to drop out of the Christian Science Fiction and Fantasy blog tour. Realizing that, I also realized it's time for me to drop out of keeping up this blog, and perhaps to drop out of attempted novelling--- or at least out of admitting to attempted novelling--- altogether.

It's a matter of shame, really. Lately every time I think about writing for this blog--- or for a blog tour--- I just realize how inadequate my blogging is. Shamefully inadequate, it seems to me. I'm sure that this is not an objective opinion. But still, it affects how I approach--- or avoid approaching--- this blog.

I've read a lot about how a writer has to have a platform, and this blog was meant for that. But it hasn't achieved much of a following, in part because I haven't known what I'm building a platform for. I also have been too self-revealing, I think. I have a problem with that, perhaps because of my Asperger Syndrome.

I suppose I will get back into blogging at some point. Perhaps even back into attempted writing--- though I won't admit to it. But for now, I'm going to be spending some quality time wrassling with my sheep--- it's time to sort out the for-sale lambs.

Eye of the Sword blog tour, right here!

This is my blog, I built this!

Eye of the Sword by Karyn Henley, the subject of this month's blog tour, seems to be everything I want in reading material, a nice fantasy, by a Christian author so the likelihood of anti-Christian bigotry-rants is reduced to zero, and it starts out promisingly....

But for whatever reason I could not bring myself to read on, reading a number of other books, including my first-ever Western genre novel, instead (The Goodnight Trail by Ralph Compton). That happens to me sometimes when I have a book I'm expected to read in a certain amount of time--- I just don't get in the mood to let the book hook me, no matter how good the beginning is. Has that ever happened to you?

One symptom that this book is not for me right now is the way I keep obsessing about the book's title. Swords don't have eyes. Needles have eyes. Cyclopses have eyes--- one per customer. But swords? No eyes.

Want to know what Eye of the Sword is about from some people who actually know? Try some of these links. (Caution, one of these links is connected to a wormhole leading to a zombie apocalypse, so if you aren't careful you may get your brain eaten.)


Julie Bihn Thomas Fletcher Booher Keanan Brand Beckie Burnham Jackie Castle Brenda Castro Jeff Chapman Christine Theresa Dunlap Cynthia Dyer Victor Gentile Ryan Heart Janeen Ippolito Jason Joyner Carol Keen Emileigh Latham Rebekah Loper Shannon McDermott Karen McSpadden Meagan @ Blooming with Books Rebecca LuElla Miller Anna Mittower Mirriam Neal Nissa Faye Oygard Nathan Reimer Chawna Schroeder Kathleen Smith Donna Swanson Jessica Thomas Steve Trower Shane Werlinger Phyllis Wheeler

And now, before I get back to wrangling a passel of wild new-weaned lambs into pens, here is some essential information about Eye of the Sword and its author:
 
Book link - http://www.amazon.com/Eye-Sword-Novel-Angelaeon-Circle/dp/030773014X/ (or some other link of your choice) Author’s Web site - http://www.karynhenleyfiction.com/Karyn_Henley_Fiction/welcome.html Author Blog - http://www.maybeso.wordpress.com/ Author Facebook page - http://www.facebook.com/pages/Karyn-Henley/140411189331787?v=wall

Watching Western Shows as Old as I Am

Lately I've been spending wasting a lot of time watching really old Western tv series on the Encore Western channel. Which is kind of a funny thing.

Although I'm told that as a tiny girl I was enthusiastic about the Roy Rogers show and wore a red cowboy hat, by the time in my childhood where I actually remember things I wasn't a Western fan. Which was sad because it was about the only thing on television in those days.

I remember the routine when my mom, dad and brother would be downstairs watching Gunsmoke or some such show, while I was upstairs in my parents' bedroom watching old movies or The Avengers on the small black-and-white tv.

There were a couple of Western shows I did have a use for back then: The Wild Wild West, Alias Smith and Jones, The Rifleman, and, of course, Star Trek. (Star Trek? Well, Gene Roddenberry did allegedly think of calling the show 'Wagon Train to the Stars')

But now the world of television has changed. Besides the reality TV horror, the dramatic shows that remain tend to not be aimed at general audiences, but only at angry Leftists who enjoy anti-conservative and anti-Christian hate worked into their entertainment. Like that Law & Order episode that accused conservative commentators Glenn Beck and Bill O'Reilley of condoning the murder of babies born to illegal immigrants. (Anyone who's actually watched Beck or O'Reilley knows they are notoriously against baby-killing, even the legal kind.)

So I haven't got attracted to many current television dramas other than those in Korean (subtitled) on KBS America. And these old Westerns came as a very pleasant surprise.

The ones I have been watching lately include Have Gun, Will Travel, Wagon Train, Rawhide, and Marshal Dillon (later renamed Gunsmoke.) And one I hadn't heard of before, Lawman.

Lawman, the story of Marshal Dan Troop and his young deputy sidekick Johnny McKay, was an excellent half-hour show which ran from 1958-1962. It premiered October 5th, 1958, the very day I premiered was born.

I like to spend time in this different world in which preachers are the good guys and not the killers, where men are gallant enough to treat women like ladies even when they are only saloon girls (hookers).

And there is some similarity in storytelling values between these old Westerns and the original Star Trek, which is a story about humanity's expansion into space, like settlers from Back East expanded into the Western territories.

My current WIP, a spaceship-based SF story, is turning out to be that kind of Western-in-Space thing, and I'm encouraging it. I've even looked up an article on how to write Westerns, 'Writing Western Novels Requires Specific Rules'.  I think most of these rules are adaptable to the writing science fiction and fantasy as well, particularly if you write from a Christian perspective. They are:

1. Point of view is limited to one or at most two main characters.
2. Foul language is impermissible.
3. Excessive sexuality is not OK. The Western hero and his lady remain largely virtuous.

Another good point that authors of other genres might borrow is the fact that a Western male hero is a man's man, not a woman's fantasy of a perfect, sensitive mate. The Western hero doesn't spend hours talking about his feelings, or taking his gal on shopping trips to upgrade their wardrobes. He doesn't cook for her, do the dishes, or mind the baby while the gal goes out to climb a corporate ladder. He's a strong, silent type who'll put his life on the line to save the lives of those who are vulnerable.

Watching Western Shows as Old as I Am

Lately I've been spending wasting a lot of time watching really old Western tv series on the Encore Western channel. Which is kind of a funny thing.

Although I'm told that as a tiny girl I was enthusiastic about the Roy Rogers show and wore a red cowboy hat, by the time in my childhood where I actually remember things I wasn't a Western fan. Which was sad because it was about the only thing on television in those days.

I remember the routine when my mom, dad and brother would be downstairs watching Gunsmoke or some such show, while I was upstairs in my parents' bedroom watching old movies or The Avengers on the small black-and-white tv.

There were a couple of Western shows I did have a use for back then: The Wild Wild West, Alias Smith and Jones, The Rifleman, and, of course, Star Trek. (Star Trek? Well, Gene Roddenberry did allegedly think of calling the show 'Wagon Train to the Stars')

But now the world of television has changed. Besides the reality TV horror, the dramatic shows that remain tend to not be aimed at general audiences, but only at angry Leftists who enjoy anti-conservative and anti-Christian hate worked into their entertainment. Like that Law & Order episode that accused conservative commentators Glenn Beck and Bill O'Reilley of condoning the murder of babies born to illegal immigrants. (Anyone who's actually watched Beck or O'Reilley knows they are notoriously against baby-killing, even the legal kind.)

So I haven't got attracted to many current television dramas other than those in Korean (subtitled) on KBS America. And these old Westerns came as a very pleasant surprise.

The ones I have been watching lately include Have Gun, Will Travel, Wagon Train, Rawhide, and Marshal Dillon (later renamed Gunsmoke.) And one I hadn't heard of before, Lawman.

Lawman, the story of Marshal Dan Troop and his young deputy sidekick Johnny McKay, was an excellent half-hour show which ran from 1958-1962. It premiered October 5th, 1958, the very day I premiered was born.

I like to spend time in this different world in which preachers are the good guys and not the killers, where men are gallant enough to treat women like ladies even when they are only saloon girls (hookers).

And there is some similarity in storytelling values between these old Westerns and the original Star Trek, which is a story about humanity's expansion into space, like settlers from Back East expanded into the Western territories.

My current WIP, a spaceship-based SF story, is turning out to be that kind of Western-in-Space thing, and I'm encouraging it. I've even looked up an article on how to write Westerns, 'Writing Western Novels Requires Specific Rules'.  I think most of these rules are adaptable to the writing science fiction and fantasy as well, particularly if you write from a Christian perspective. They are:

1. Point of view is limited to one or at most two main characters.
2. Foul language is impermissible.
3. Excessive sexuality is not OK. The Western hero and his lady remain largely virtuous.

Another good point that authors of other genres might borrow is the fact that a Western male hero is a man's man, not a woman's fantasy of a perfect, sensitive mate. The Western hero doesn't spend hours talking about his feelings, or taking his gal on shopping trips to upgrade their wardrobes. He doesn't cook for her, do the dishes, or mind the baby while the gal goes out to climb a corporate ladder. He's a strong, silent type who'll put his life on the line to save the lives of those who are vulnerable.